Boulogne of Mer Rentrie des Barques
Artist: Chalridoy
Location: Hall from room 329 to 331
Catalog # 274
Notes: This picture is especially worthy of attention for the vitality and character of the face, the grace of the figure, the easy naturalness of the pose, and the unaffected simplicity of the subject. Original in the possession of J. Pierpont Morgan.

The Church of St. Maclou
Location: Hall from room 233 to 235
Catalog # 176
Notes: Donated by the Class of June, 1916.The etching centers interest on a church in the later Gothic of French architecture. The detailed decoration of the five arcades shows the artist's ability to create beauty through lines; and his use of subdued light and deep shadows centers upon the designs produced by these lines.

La Porte Marchihale a Bruges/Town Gate in Bruges
Artist: Victor Gilsoul (1867-?)
Location: Hall from room 305 to 307
Catalog # 307
Notes: This colored etching reveals Gilsoul's equilibrium between emotion and realism. The latter, without, makes demands upon the former, within. From one point of view nothing could be more accurate in design than this town gate. But its peculiar value is in the sentiment, full of respect and tenderness, that the Belgian artist cherishes for his country. As most characteristic in this scene, Gilsoul selected the touching aspect of sobriety combined with strength. Gilsoul's simple beauty of execution makes him a great etcher.

Moonlight
Artist: Heran Chaban
Location: Hall from room 327 to 329
Catalog # 317
Notes: Line and color make this etching attractive. There is strong contrast in the low values of trees and shore line against the high values of moonlit sky and water. There also is a pleasing transition of color treatment from dark, dull blue-greens to soft, light yellow-greens.

Place de Venice

Artist: Pierre Labrouche
Location: Hall from room 319 to 321
Catalog # 85
Notes: Donated by the Class of June 1916. With almost photographic exactness the artist painted these old, marble, hand-carved palaces of Venice to produce the illusion of solidity and beauty.

Village of Santa Lucia
Artist: Raoul Serre
Location: Hall from room 127 to 129
Catalog # 320
Notes: In an exhibition at Rome in 1906 Serre received the Grand Prize for this color etching.

Brou Cathedral (Interior)
Location: Hall from room 233 to 235
Catalog #154
Notes: Donated by the Class of June, 1916. This is a Gothic church built between 1511 and 1536 by Margaret of Austria. Its richness of decoration created the inspiration for the present etching. The center of interest is Margaret's tomb and her son's. These represent the superlative degree of Gothic decoration and have outstanding placement. But Fonce introduced touches of color to lead the eye to the long row of stained glass windows through which the etching gives an inspiring feeling of depth. The shadows endow the building with solemnity; the light gives a richness of elaborate detail, for which this cathedral is famous.

The Harbor
Artist: R. Lorraine
Location: Hall from room 329 to 331
Catalog # 276
Notes: This color etching is lovely not only for the color of the sea and the sky but also for the lines of boats in the harbor.

Live Oaks
Artist: Lucien Jonas
Location: Hall from room 311 to 313
Catalog # 269
Notes: The "feeling" for trees in this colored etching reminds one of Corot's influence.

Morning Fog
Artist: Pierre Waidman
Location: Hall from room 127 to 129
Catalog # 316
Notes: This color etching, when exhibited at Paris, won first prize. Waidman was secretary of the National Society of France.

Port of Boulogne
Location: Hall from room 329 to 331
Catalog # 366
Notes: This interesting composition presents further evidence of the distinction of contemporary French etchers. In the foreground the boats in rich browns form a decorative pattern to direct attention to the alluring view of the port, stretching in cool color, clear light, and pleasing depth and design along the margin of the sea.

Canal at Amsterdam
Artist: Leo Francois
Location: Hall from room 305 to 307
Catalog # 361
Notes: Quiet shadows and cool reflections in light-values contribute to the repose felt by the artist and expressed in this etching where an old street presents buildings with decorative design.

Houseboat on the Moret
Artist: Le Sage
Location: Hall from room 127 to 129
Catalog # 90
Notes: This etching presents a feeling of tranquility. No line shows movement, except, perhaps, a gentle ripple in the water. Instead, gradations of color, line, and light produce deep reflections and the effect of quietness.

The Market in Flanders
Artist: Julian Celos
Location: Room 146 H
Catalog # 16
Notes: This simple scene abounds in life and color. The neutral background in warm, as if the sun could be felt through a heavy atmosphere. There is rhythm in the orange-red roofs; color contrast in the green-blue umbrellas; motion and spirit in the multitude of marketers. The mood of the picture is joyous. Its art lifts us above the common-place.

Old Holland
Artist: Victor Gilsoul
Location: Hall from room 305 to 307
Catalog # 44
Notes: Extreme freedom of touch gives a sensation of richness and brilliance even to these somber, old buildings. The originality of the composition attracts the eye and arrests the attention of the spectator. Gilsoul met with rapid success, painting similar scenes that were picturesque and even dramatic.

Return of the Sardine Boats
Artist: Gerard Le Gout (1876-?)
Location: Hall from room 131 to 133
Catalog # 43
Notes: Donated by the Class of June,1913. This color etching expresses and emotion aroused by the beauty of a sunset along the French waterfront. The fishing vessels gliding in from the sea into the shadows of the night denote the end of the days work; silhouetted against the sky, they add pictorial interest to the scene. The charm of the picture is enhanced by the mellow glow of color, which, with the shadows and reflections, awakens a feeling of reverie in the observer.

Christ at Emmaus
Artist: Van Rijn Rembrandt (1606-1669)
Location: Hall from room 323 to 325
Catalog # 112
Notes: Donated by the Class of June, 1915. Original in the Louvre, Paris. After his resurrection Jesus appeared to two disciples. Rembrandt depicted the moment at the meal when they realized that the man they had not recognized was Jesus. No other artist has presented such a Christ as this Being, who has passed through death and lives again. Rembrandt's power to extend his strenuous spiritual quest into the medium of paint and produce so inspiring a painting as this attests his genius.

Houses of Parliament
Artist: Henri Jourdain (1864-1931)
Location: Hall from room 127 to 129
Catalog # 164
Notes: Donated by the Class of June, 1915. The imposing mass of the Houses of Parliament is the center of interest in this colored etching. Vigorous and serious, the mighty shadow rises to impress the observer with its majesty. The relief felt in the clearly defined patterns of the repeated forms in the foreground, with the expanse of the Thames, adds to the value expressed through the breadth of the buildings.

The Market in Malines
Artist: Julian Celos
Location: Room 207
Catalog # 17
Notes: Donated by the Class of June, 1916. Like a folk drama, this Old World scene moves the observer with emotions varying from the light-heartedness of the children gazing at rose-colored balloons to the serious thoughtfulness aroused by the dark, towering church, about which the people have gathered on market day. The artist's creative power gives color and feeling to this typical etching.

Paysage Hollandais, Amsterdam (Dutch Landscape)
Artist: P.C. Gabriel (1828-1903)
Location: Hall from room 121 to 123
Catalog # 42
Notes: Donated by the Class of January, 1915. The windmill in this Holland landscape is the center of interest by position and by the converging lines of the canal directing attention to it. Blue and green clouds in the sky are reflected in the water. Through the use of this balance a bland atmosphere of quiet restfulness is obtained.

Towing
Artist: F.P. Luigine
Location: Hall from room 327 to 329
Catalog # 95
Notes: In characteristic style this etching conveys the artist's response to the aspect of peasant life as he saw it in the Low Countries. The peasants' rigorous toil is expressed by the downward, drooping lines of the figures against the opposing lines of nature.